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In Progress...
no. 295: As Seen On TV
no. 412: punctuation marks
no. 404: Current Events*
no. 311: Make the Machine
no. 405: Type
no. 401: we are not amused.
no. 379: War
no. 358: Overdesigned.
no. 249: strange ways
no. 391: surfer
no. 390: Light in darkness.
no. 381: Waiting
no. 389: Below Zero
no. 387: Brand New Second Hand
no. 375: 8-Bit
no. 384: Samba
no. 383: Mico Leao
no. 385: Silence
no. 386: the world of chewing gum and first strike weapons
no. 382: Music and Future
no. 378: ghost town
no. 377: hunting
no. 291: perfectionism vs kung-fu
no. 376: Creative spark of loving helvetica
no. 372: IDM
no. 374: Identity
no. 369: Earthquake
no. 365: Moving
no. 366: Over Population
no. 362: 8th day of the week
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Archived...
no. 413: stress
no. 414: Quotes
no. 415: Nature
no. 408: Reflect
no. 410: Generate
no. 409: Repair
no. 407: Remove
no. 411: Seek
no. 406: Reality Grip
no. 400: Differences
no. 394: ascent
no. 398: Romantic Notions - Odes and Things
no. 397: A Garden Party
no. 255: funky monsters
no. 321: from the old school
no. 320: Duel of the Iron Mind
no. 355: Decay
no. 327: Analog
no. 367: Eight degrees of abstractions
no. 340: monotone
no. 268: Punker Then You!
no. 282: Soap
no. 325: London
no. 296: Its a typographic world after all...
no. 315: apokalipse
no. 026: Birds on a Wire
no. 308: Twilight Zone
no. 314: Green
no. 309: AVP (Austin vs. Philadelphia)
no. 290: Richmond to Boston
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mixed.messages
mrshape
Initiator...
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Other Designologues:
no. 229: Murder Alphabet
no. 178: motorCITY (remix)
no. 180: meat-ia
no. 193: mixed.messages
Favorite Designologues:
no. 043: 4yourthoughts
no. 004: caution
no. 121: deSIGNs
no. 163: Neue Moderne
no. 186: Rhythm
no. 181: woman & car
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bearskinrug
Conspirator...
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Other Designologues:
no. 189: design=artisticretardation.com
no. 324: Designologue through the years
no. 196: Duality
no. 197: Contrast
no. 204: Revolving Home
no. 186: Rhythm
no. 193: mixed.messages
Favorite Designologues:
no. 199: Accelerate
no. 167: Biblical Proportions
no. 121: deSIGNs
no. 063: Elitist Tea Party
no. 163: Neue Moderne
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